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c. 1445 – May 17, 1510. Italian painter.

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RUBENS, Pieter Pauwel
Madonna in Floral Wreath

ID: 64709

RUBENS, Pieter Pauwel Madonna in Floral Wreath
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RUBENS, Pieter Pauwel Madonna in Floral Wreath


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RUBENS, Pieter Pauwel

Flemish Baroque Era Painter, 1577-1640  Related Paintings of RUBENS, Pieter Pauwel :. | Diana and her Nymphs Surprised by the Fauns | The Resurrection of Christ | Adoration of the Magi | The Apotheosis of Henry IV and the Proclamation of the Regency of Marie de Medicis on May | Helena Fourment with a Carriage |
Related Artists:
BERCKHEYDE, Job Adriaensz
Dutch painter (b. 1630, Haarlem, d. 1693, Haarlem). He was apprenticed on 2 November 1644 to Jacob Willemsz. de Wet, whose influence is apparent in his first dated canvas, Christ Preaching to the Children (1661; Schwerin, Staatl. Mus.), one of the few biblical scenes in his oeuvre. On 10 June 1653 he repaid a loan from the Haarlem Guild of St Luke, which he subsequently joined on 10 March 1654. During his stay in Heidelberg, Job painted portraits and hunting scenes at the court of the Elector Palatine, who rewarded him with a gold chain, perhaps the one he wears in his early Self-portrait (c. 1655; Haarlem, Frans Halsmus.), his only documented work from the 1650s. Job is better known for his later work, which consists mainly of interior views of St Bavo's church in Haarlem and simple genre scenes recalling those of his Haarlem contemporaries Adriaen van Ostade and Jan Steen.
Eleanor Fortescue-Brickdale,RWS
1872-1945 English illustrator, painter and designer. She entered the Royal Academy Schools, London, and won a prize for a mural design in 1897. She specialized in book illustration, in pen and ink and later in colour. Among her many commissions were illustrations to Tennyson's Poems (1905) and Idylls of the King (1911) and Browning's Pippa Passes (1908). She was particularly popular with the publishers of the lavishly illustrated gift-books fashionable in the Edwardian era. She exhibited regularly at the Royal Academy and the Royal Water-Colour Society. She took up stained-glass design (windows in Bristol Cathedral), which modified her style of illustration to flat areas of colour within black outlines.
Hippolyte-Lucas
French, 1854-1925






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